Iconography
HEGE Series
The Cambridge Companion to Orthodox Christian Theology — 9 - Theology of the icon from Part I - Doctrine and Tradition
The Icon: The Unwritten Theology of Divine Light
Theological approaches to the Hagiographic art
Communion of Incorruption: A Theology of Icons and Relics
The Meaning of Icons
Theology of Icon in the Orthodox Church Lecture at St. Vladimir’s Seminary, 5 February 2011
The Theology of the Icon
The Icon, History, Symbolism and Meaning
Exploring Icon Veneration in Orthodox Christianity
The History of Orthodox Christian Iconography
Fr. Maximos Constans
See — Fr. Maximos Constans
Byzantine Icon Studio
Byzantine Iconography — Slideshow
St Seraphim Orthodox Cathedral
St Seraphim Orthodox Cathedral - Dallas TX
Aidan Hart
Aidan Hart Sacred Icons | Articles
Holy Icons In Today's World A living tradition's insights into contemporary issues in modern art, ecology and community
See — “Ecology”, and “Community”
The Pain of the Earth: A Cry for Change
See — “Asceticism”
Icons and the Material World
Transfiguring Matter: The Icons as Paradigm of Christian Ecology
Fr. Silouan Justiniano
The Degraded Iconicity of the Icon: The Icon’s Materiality and Mechanical Reproduction
— “This article examines how mechanical reproductions lessen the icon’s “iconicity,” that is, its liturgical efficacy, full iconic potential, and symbolic power. It aims to clarify how the role of materials and craftsmanship affect the function of the icon as a concrete object within the aesthetic experience of liturgy. As will be demonstrated, these can either hamper or aid our “uplifting” in the course of worship. In other words, this article will approach the icon in its ontological status as a painting or work of art and not solely as a picture or “image” in the abstract. It is a liturgical object having inherent properties that make it what it is.”
Degraded Iconicity II: Uplifting Materiality and Symbol
Degraded Iconicity III: Mysteriological Matter; As Above, So Below
Degraded Iconicity IV: Symbolic and Priestly Craftsmanship
Degraded Iconicity V: Subtle Docetism; Approach to Materials
Degraded Iconicity VI: Towards Fullness of Iconicity
Andrew Gould
Andrew Gould | Orthodox Arts Journal — Articles
An Icon of the Kingdom of God: The Integrated Expression of all the Liturgical Arts —
Part 1 Jun 6, 2012
Part 2: On Iconography Jun 19, 2012
Part 3: The Role of Panel Icons, Frescoes, and the Iconostasis Jul 18, 2012
Part 4: Architecture Sept 24, 2012
Part 5: The Minor Arts Oct 19, 2012
Part 6: Furniture Nov 30, 2012
Part 7: Lamps Dec 31, 2012
Part 8: Vestments Apr 12, 2013
Part 9: Linens Jun 24, 2013
Part 10: Ceremonial Implements Aug 15, 2014
Part 11: Gardens, Churchyards, and Cemeteries Oct 24, 2014
Part 12: Incense – Heavenly Fragrance and Transfigured Light Dec 3, 2014