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<span style="font-family:sans-serif; font-size:120%;">[https://www.amazon.com/dp/B00EPDZXSC/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1 ''Happily Ever After: Fairy Tales, Children, and the Culture Industry'']</span> | <span style="font-family:sans-serif; font-size:120%;">[https://www.amazon.com/dp/B00EPDZXSC/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1 ''Happily Ever After: Fairy Tales, Children, and the Culture Industry'']</span> | ||
How have the relatively new media of film and television affected traditional storytelling and stories, particularly fairy tales? Zipes is concerned with the <mark>"commodification" of fairy tales, a la Disney, where the films are designed more to sell a line of toys and other products than to present a story to an audience</mark>. Zipes traces the use of fairy tales in the acculturation process through various time periods, emphasizing the importance of being cognizant of the process itself. | How have the relatively new media of film and television affected traditional storytelling and stories, particularly fairy tales? Zipes is concerned with the <mark>"'''commodification'''" of fairy tales, a la Disney, where the films are designed more to sell a line of toys and other products than to present a story to an audience</mark>. Zipes traces the use of fairy tales in the acculturation process through various time periods, emphasizing the importance of being cognizant of the process itself. | ||
==Pinocchio & Christianity== | ==Pinocchio & Christianity== | ||